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History of chemistry --- Specialty chemical technology --- glue --- lijmen
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Art --- installations [visual works] --- chemistry --- video art --- hazards --- glass [material] --- kunst en wetenschap --- Aufleger, Katja
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Sculpture --- sculpture [visual works] --- chemistry --- formulas [algorithms] --- tanks [containers] --- pollutants --- Lauwers, Laurent
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What do we desire from the imperceptible? Four artists were invited to travel deep underground to SNOLAB to think with dark matter, an invisible phenomenon that has a gravitational effect on everything. Without this “dark” matter, galaxies would fly apart, according to observational data in astroparticle physics. Given the contours of such a “known unknown,” Nadia Lichtig, Josefa Ntjam, Anne Riley, and Jol Thoms reflect on the how and why of physics and art as interrelating practices. The artists’ widely varied and challenging responses include expressions of new kinds of sensitivity and poetic freedom, questions about the task of knowledge, and cartographies of entangled social and ecological relations.
Galaxies --- Geophysics --- Art --- sculpture [visual works] --- installations [visual works] --- multimedia works --- chemistry --- physics --- space [composition concept] --- video art --- narrative art --- Ntjam, Josèfa --- Lichtig, Nadia --- Riley, Anne --- Thoms, Jol --- Astronomie --- Installation-art --- Physique --- Matière --- Ntjam, Josèfa, artiste --- Riley, Annze, artiste --- Thoms, Jol, artiste
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This book elaborates on different aspects of the decision making process concerning the management of climate risk in museums and historic houses. The goal of this publication is to assist collection managers and caretakers by providing information that will allow responsible decisions about the museum indoor climate to be made. The focus is not only on the outcome, but also on the equally important process that leads to that outcome. The different steps contribute significantly to the understanding of the needs of movable and immovable heritage. The decision making process to determine the requirements for the museum indoor climate includes nine steps: Step 1. The process to make a balanced decision starts by clarifying the decision context and evaluating what is important to the decision maker by developing clear objectives. In Step 2 the value of all heritage assets that are affected by the decision are evaluated and the significance of the building and the movable collection is made explicit. Step 3. The climate risks to the moveable collection are assessed. Step 4: Those parts of the building that are considered valuable and susceptible to certain climate conditions are identified. Step 5. The human comfort needs for visitors and staff are expressed. Step 6: To understand the indoor climate, the building physics are explored. Step 7. The climate specifications derived from step 3 to 5 are weighed and for each climate zone the optimal climate conditions are specified. Step 8: Within the value framework established in Step 1, the options to optimize the indoor climate are considered and selected. Step 9: All options to reduce the climate collection risks are evaluated by the objectives established in Step 1.
Museology --- Sociology of cultural policy --- Didactics of the arts --- Physics --- Surface chemistry --- Materials sciences --- Environmental protection. Environmental technology --- Building design --- Building materials. Building technology --- Protection of buildings against external influences --- Art --- HVAC --- temperature-related techniques --- corrosion [condition changing process] --- museology --- humidity --- salinity --- insect damage --- Fungi [kingdom] --- cultureel erfgoed --- materiaalkennis --- oppervlakte-onderzoek --- bouwkunde --- kunst --- kunstonderwijs --- milieubeleid --- creativiteit
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Art --- alchemy --- History of chemistry --- alchemie --- geschiedenis --- surrealisme --- hedendaagse kunst --- Rubens, Peter Paul --- art [fine art] --- Surrealist --- Horn, Rebecca --- Meitner, Richard --- Varo, Remedios --- Kwade, Alicja --- Ernst, Max --- Schweizer, Helmut --- Duchamp, Marcel --- Steiner & Lenzlinger --- Steiner, Rudolf --- Goldin+Senneby --- Polke, Sigmar --- Beuys, Joseph --- Mundt, Wilhelm --- Robleto, Dario --- Brauner, Victor --- Byars, James L. --- Penone, Giuseppe --- Klein, Yves --- Rotar, Robert --- Dalí, Salvador --- Kiefer, Anselm --- Zorio, Gilberto --- Rauch, Neo --- Calzolari, Pier Paolo --- Kapoor, Anish --- Kounellis, Jannis --- Carrington, Leonora --- Strindberg, August --- Huber, Thomas --- Man Ray --- Matta-Clark, Gordon --- alchemie. --- geschiedenis. --- surrealisme. --- hedendaagse kunst. --- Rubens, Peter Paul. --- art [discipline]
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Matériaux céramiques --- Europees Keramisch Werkcentrum. --- Keramiek ; handboeken --- 738(035) --- technique [concept] --- ceramics studios [organizations] --- ceramic and ceramic products --- Matériaux céramiques --- Sculpture --- sculpture techniques --- ceramics [object genre] --- Applied arts. Arts and crafts --- Ceramics --- Ceramic technology --- Industrial ceramics --- Keramics --- Building materials --- Chemistry, Technical --- Clay --- Ceramic industries --- Mines and mineral resources --- Materials --- Technique --- European Ceramics Work Centre --- Europees Keramische Werkcentrum --- Ceramic materials --- Pottery --- Céramique --- Technique. --- keramiek --- departement Beeldende Kunst --- keramische technieken --- keramisch proces --- MAD-faculty 15 --- MAD-faculty 14 --- keramiek, hedendaags --- keramische vormen --- ceramic and ceramic by product --- studio ceramics
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